Wednesday, May 6, 2020

The Ragtime Vs. The Blues - 1616 Words

 ¬Ragtime vs. The Blues In the city of New Orleans emerged one of the most influential music genres in U.S. history. At the time, New Orleans was known for being a melting pot of people or rather, a region where people from all over the world came together in one place. This city served as a key seaport in the U.S. allowing for goods to be imported and exported. The purpose of this city was not only strategic to the growth of the country, but also, the atmosphere allowed for the incredible mixing of cultures, customs, and traditions that led to the creation of one of our nations most cherished genres of music: jazz. Jazz emerged towards the beginning of the 20th century, but didn t just spring up out of nowhere. Instead, it was a creation that developed from popular music styles of the 19th century that were blended and combined to entertain not only the social dancers, but also, the nation as a whole. The two main music styles that jazz evolved from were ragtime and the blues. Both ragtime and the blues had their beginnings in African-American communities. While both of these music styles strongly contributed to the creation of jazz and have a lot of similarities, they do have their differences. These differences lie within their origins, their instruments, the elements of the music styles and how these elements influenced jazz, and their artists and composers. First of all, ragtime and the blues are similar in that they both originated in the United States. While theShow MoreRelatedEssay on Hip Hip1788 Words   |  8 Pagesparody masses). According to one source, the roots of this phenomenon are in Jamaica in the 40s. By the 60s, it was common to find quot;soundsquot;, or a truck fitted with sound equipment parked at a street corner, playing American rhythm amp; blues records for the people in the neighborhood. Some of these DJs included Coxson Dodd, Prince Buster, and Duke Reid. By the 1970s this phenomenon was to be found in the US, particularly in the Farragut Projects in Brooklyn, NY. Some of these early DJsRead More Black Women in Rap Essay6410 Words   |  26 Pagesrappers to challenge the status quo of middle-class white America. Certain attributes exist within this GBM, helping to define rap as a genre and as a function of history, culture and, indeed, politics. These attributes include: â€Å"loudness,† â€Å"raw,† â€Å"blues,† â€Å"iconoclastic† and a â€Å"rooted departure† (ya Salaam 350). Loudness demands a rejection of what ya Salaam calls â€Å"the status quo,† meaning a departure of what he sees as the traditional detachment of European music and dancing. GBM demands total

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